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Deferential words: the white cloth of seal script should emphasize " empty"

Article source: Peng Qingyang embrace yun Tang academy

Release time:Jul 24, 2018Page view:69

Deferential words: the white cloth of seal script should emphasize " empty"
Original: Peng Qingyang embrace yun Tang academy July 1
Sha Manweng seal script
The white cloth of seal characters is one white cloth in the characters and the other white cloth word by word. the word " virtual" should be repeated. Nowadays, people are learning seal script, blindly seeking truth from facts, and all the wonderful things that don't know what is actually happening are caused by the empty place. The ancients had an incisive exposition that " all articles, paintings and calligraphy should focus on the empty place". Looking at reality with virtual reality, seeing reality with virtual reality, and seeking the realm without pen and ink, we can never understand the aesthetic significance of the blank seal script with superficial beauty alone. It is often aesthetic and substantial in the sense of neatness and naturalness in large and small seal script works. Therefore, the custom seal script must also follow the principle that the dense place is filled with heaven and earth, and the sparse place is extremely empty. the actual transportation is virtual, and the actual place is full of spirit. Take empty as reality, and all the broken places are connected. Take the back as the direction, even the place is broken.
- respectful words of " yun Tang yi si Lu"
Da Zhongguang's book raft: " light shines in the distribution. ...... white frame profile, hand cloth are neat; Scattered white, well-proportioned eye cloth ... the painting can be cut like a golden knife, and white begins like a jade ruler. Exquisite is due to the subtle use of white cloth. the change of body weight is divided into ... the brightness of black is divided into points, and the virtual purity of white is cloth. " the so-called" white frame outline " refers to the" white space " in the small composition of the Chinese characters, that is, what Mr. Yan gongda said," white cloth in the Chinese characters ", a kind of neat and even white cloth. " scattered white" refers to the " white space" between characters in the grand composition, that is, " word for word white".
Sha Manweng seal script
We usually call the place with ink " black", that is, the real place; Call the place where there is no ink " empty", that is, empty place. In calligraphy, both white and black should be counted and white and black should be known. this is the dialectics of verve produced by the combination of the actual situation and the actual situation in calligraphy artistic creation. From paying attention to the expression of pen and ink to paying attention to the existence and function of blanks, blank images, emotional rhymes and pen and ink jointly construct the complete life of the works. Zhu he - Tang's " linchi xinjie" said: " composition must stand on the top of the topic, think out of the empty space and get to the empty place. naturally, it will not take off or stick. Painting to the empty place, natural super muddy free and easy. It is not the only way to write a book. " it can be seen that white in black is a good method.
Sha Manweng seal script
Huang binhong once said to Lin Sanzhi, " the ancients placed emphasis on the real place, especially on the imaginary place, the dark place, and especially on the white place. the so-called" knowing white and guarding black " and" counting white and being black " were the most subtle of these things. you should understand them. The calligraphy of the monarch has many real points, but few imaginary points. the dark points see strength, and the white points owe kung fu. " in fact, this problem is met by every book learner. How to treat the black and white, the actual situation, the presence or absence, the yin and yang in calligraphy dialectically is not only a matter of skill, but also has risen to the height of " Tao". If " skill" abandons " Tao", how can one get a glimpse of the true meaning of calligraphy?