Article source：Comments by renowned writer and editor-in-chief of American maga
Release time：Jun 07, 2018Page view：65
Comments by renowned writer and editor-in-chief of American magazine, Mr. anli:
Wang dingcheng's calligraphy first impacted my vision on its shape. It is also a Chinese character, but when he comes to his works, it seems to have a special charm. Those fonts, like animals in Shan Ye, wander freely and run freely, breaking through the fetters of rules and eliminating the fetters of rigid formats. But after careful study and careful taste, he found that his font was crazy but not epilepsy, drunk but not rotten, and stuck to some big style in a unique style. He fused various schools and techniques of ancient calligraphy, combining the dignified official script of the northern Wei dynasty with the bold and unrestrained running script of the Wei and Jin dynasties, thus smelting his own unique writing style. Therefore, his calligraphy is unrestrained and restrained, free and easy but not floating, backed by tradition and subverting tradition, adapting to modern times, but not mired in melodramatic kitsch. One is free from vulgarity beyond the world, one is graceful and clean after the lotus leaves come out of the water, and the other is fresh and wet with " after rain the empty mountain" like a cloud and mist, winding between the lines.