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Speech by professor Yan gongda at the award ceremony of 2018 first " Mi Fei cup" international youth calligraphy competition
Speech by professor Yan gongda at the award ceremony of 2018 first " Mi Fei cup" international youth calligraphy competition Original: courtesy to embrace yun Tang academy the day before yesterday Dear leaders, teachers, parents and young players: Good morning, everyone! Sponsored by China international calligraphy and painting research association, Chinese character museum, Jiangsu education calligraphy association, Zhenjiang culture, radio, film and television press and publication bureau, the " 2018 first Mi Fei cup" international youth calligraphy competition hosted by Zhenjiang dantu district people's government, China's Mi Fei calligraphy park, Jiangsu Yan gong da culture foundation, Zhenjiang Mi Fei culture research association and baoyuntang academy " successfully kicked off the day before yesterday in the beautiful Chinese Mi Fei calligraphy park! First of all, allow me, on behalf of the main organizer, to extend a warm welcome to all young calligraphers from home and abroad! I would like to express my heartfelt thanks to the teachers and accompanying parents who led the competition. I would like to express my high respect to all the leaders who have come to today's award ceremony. Since the 18th national congress of the CPC, the Chinese dream of great rejuvenation of the Chinese nation has been established. The revival of the nation is the revival of culture in the final analysis. Culture is the soul of a nation, and Chinese characters are the carrier of Chinese culture. Only when Chinese characters are alive and Chinese culture is alive can the nation be alive. Calligraphy is the art of writing Chinese characters, and it is the manifestation of the beauty of Chinese characters. Chinese calligraphy embodies thousands of years of Chinese civilization and maintains the common spiritual pursuit of the Chinese nation. Writing good Chinese characters is related to national self-esteem and national confidence. the artistic practice of calligraphy is not only the creation of works themselves, but also the inheritance of the lifestyle of the Chinese nation for thousands of years. Therefore, calligraphy is the gene of Chinese culture. if the gene changes, it indicates the change of cultural nature. In today's internet age, spreading the nation's writing state, mastering calligraphy knowledge and enhancing aesthetic ability will be a great event for inheriting Chinese culture in the contemporary era. In February 2013, the Ministry of education announced the guidelines for calligraphy education in primary and secondary schools, marking the formal entry of calligraphy into primary and secondary school classrooms. The introduction of calligraphy into the classroom is a concrete manifestation of the promotion of Chinese character writing to the national strategic level. Taking calligraphy as an important content of basic education and entering primary and secondary school classes is very important to cultivate students' patriotic feelings, aesthetic ability and cultural character. It can be said that the implementation of the national policy of calligraphy into the classroom is of great significance in strengthening the soft power of national culture. The typical life of Chinese is ritual and music. Chinese civilization is an internal civilization. To respect the people and be close to nature, this culture needs various forms and levels of humanistic aesthetic education to form the collective memory of the nation. Therefore, the aesthetic education of " morality, intelligence, sports and labor" is a very important part. I. basic information on competition activities Following this basic spirit of rejuvenating the Chinese culture, the " Mi Fei cup" youth calligraphy competition should be moved from time to time under the cooperative efforts of various parties. The form of competition can stimulate and promote the majority of young people not only to identify with the Chinese character art, close aesthetic experience, but also to love and carry on the traditional Chinese culture. After more than half a year of intensive preparations, the first Mi Fei cup international youth calligraphy competition was successfully held with the joint efforts and participation of many professional organizations and units across the country, especially those from hong kong, Macao, Taiwan, Japan, Singapore and other regions and relevant national professional organizations. Here, let's give warm applause to express our deep gratitude to the comrades and friends who have worked hard and contributed to this activity. Since the competition was submitted, more than 12,000 works of young calligraphy lovers have been received from various provinces, cities, autonomous regions, hong kong, Macao special administrative region, Taiwan region, Japan, Singapore, Australia, Malaysia, Indonesia, Myanmar, Brunei and other countries. Among them, zhencaozhuan Li has both banners, dou Fang, fan, nave and antithetical couplet. the youngest is 6 years old. Most of the works come from the tradition. the way is right and the method is right. it shows the happy scene of the following people in the traditional calligraphy. From the analysis of the contributions, there are many contributors in Jiangsu and Zhejiang area, and the writing level is relatively high. In the past few days, the jury has selected more than 630 finalists from all submissions, inviting these contestants to concentrate on the calligraphy park in Mi Fei, China, to write on site, to choose awards and to experience aesthetics. I believe this will add rich colors and unforgettable memories to their youth life. Ii. main characteristics of competition activities First, the form of activities is novel, solid and effective. Although this event was awarded to the " competition", its form and content are far beyond the general meaning of the competition. it is a cultural tour of calligraphy. Its content is rich and colorful. it not only includes preliminaries, preliminaries, and on-site writing, but also provides more lectures, visits, and visits for young players' friends. in addition, it will also extend to overseas youth calligraphy cultural exchange activities. This time around, there is a lecture on " be grateful, be inspired and become useful" by experts in the field of Chinese studies, which inspires students' filial piety and patriotism. A special lecture entitled " dancing Chinese characters" by experts from the Chinese character museum enabled students to understand the evolution of Chinese characters and calligraphy through a large number of video observations, thus enriching their all-round understanding of the art of calligraphy. Second, the main contractor has high specifications and strong support. The main organizers of the competition activities are professional and high - level. The organizers include the China international calligraphy and painting art research association established in 1991 under the supervision of the Ministry of culture, the national Chinese character museum, and the provincial education and calligraphy association of the provincial education department, etc., which have given full play to the socialized functions of the organizers. In addition, the national association of friends international art exchange institute, China calligraphy publishing media group, yachang art network, Jiangsu workstation of the central digital TV calligraphy and painting channel and other professional teams have joined in, providing a strong guarantee for the high - end, professional and authoritative nature of this activity. Thirdly, it is professional and strict in evaluation. The judges invited by this competition, especially the final judges, are all famous contemporary calligraphers and educationists. In addition, we are also keen to employ teachers and experts who are at the forefront of calligraphy education and have rich experience in calligraphy teaching for young people and have achieved considerable results, as well as instructors who have been trained in calligraphy studios for a long time, to join our judges. In particular, we invited the vice-chairman of the China book association to lead the final evaluation. we also set up a competition notary office to enforce discipline and evaluation rules, and to ensure the professional characteristics of the competition. The fourth is the multi-party linkage, altogether participates in the grand ceremony. This competition is a professional activity jointly organized by relevant professional organizations from local, provinces, cities and autonomous regions to overseas, as well as Zhenjiang's department in charge of tourism. Judging from the participants, there were individuals who directly signed up for the event, and there were also various regions that collectively signed up as units, studios, training institutions, professional associations and other organizations. in particular, we launched hong kong, Macao and Taiwan regions, as well as young calligraphy learners from Japan, Singapore, Australia and other countries to participate in the event. This shows a new form of multi-party cooperation and participation in the activities. What needs to be pointed out in particular is the care, support and specific arrangements of Zhenjiang municipal party Committee municipal government, dantu district party Committee municipal government and relevant departments of the municipal bureau of culture and communications and district. only through careful arrangement and thorough coordination can this competition be smoothly completed. Here, I propose to express my sincerest thanks to them! Iii. significance and value of competition activities Just as relevant people commented that this competition is a top-quality project of similar national activities in recent years and has many innovative ideas. its value and significance are shown in the following three aspects: One is public welfare. To carry forward the excellent traditional Chinese culture and develop advanced socialist culture, the government's public cultural undertakings must first adhere to the public welfare service that takes social benefits as its priority. However, under the new situation, all kinds of social and cultural organizations and organizations such as academies and foundations must take public welfare as the first standard of their activities. The organizers of the " Mi Fei cup" calligraphy competition all adhere to the principle of serving the people and giving priority to public welfare, and adhere to the equality and benefiting the people of the public service in the industrial park. At the same time, it has expanded the leading and service functions of social organizations ( academies and foundations ) in the new era. Secondly, humanism. With the revival of traditional culture, especially the continuous momentum of calligraphy and the continuous promotion of the state's policy of calligraphy into schools, various youth calligraphy activities are increasingly frequent. this activity is representative in terms of specifications, number of participants, region of participation, evaluation and the form and content of the activity. In recent years, the state's standardization and reorganization of literary and artistic awards are due to the tendency of too many artistic awards, single content and too utilitarianism. these tendencies make the traditional form of literary and artistic awards narrower and narrower and lose the function and significance of encouraging, improving, popularizing and promoting the development of literature and art.. This activity of ours weakened the competitive power of the competition and strengthened participation, inclusion and humanity. Therefore, this activity looks like a big competition. in fact, it has become a comprehensive cultural activity. it has links and contents such as on-site writing, judges' comments, lectures on Chinese studies, Chinese character guidance, visits and exchanges of historical and humanistic scenic spots, awards, etc. it has freed young calligraphy lovers from the single competition in the past and created a brand-new calligraphy cultural activity, which has a demonstration effect. The third is leading. From the very beginning of the planning of the event, we had an ideal to organize the event into a routine competition beyond the ordinary meaning, to find a new way for the contemporary art of painting and calligraphy events and to play a leading role. The specific experimental practice is as follows: First of all, let everyone comment on my family For young calligraphy learners, their study of traditional calligraphy is just the beginning, but because it is the primary stage, it is more important for one's study, so we have not reduced the requirements or reduced the links. instead, we have organized luxurious selection teams, carefully selected and professionally explained so that they can really improve through this activity. It can be said that everyone commented on my family. The second is to turn art into culture Although this activity is crowned with calligraphy competition, we are trying our best to use calligraphy art as a guide and make it a cultural activity. on the one hand, it has promoted the spread of calligraphy art and culture in Mi Fei. on the other hand, it has enabled students to accept a carnival of calligraphy culture-related characters, Chinese studies, steles, visiting studies and experiences, which has expanded from art to culture. it has enabled young calligraphy learners to truly feel the baptism of calligraphy culture, thus deepening and enriching the extracurricular artistic practice and cultural edification of calligraphy in primary and secondary schools. Thirdly, from culture to society The target of this activity is teenagers, most of whom are still minors. therefore, we only contacted the contestants' parents, teachers, teams and educational institutions from the beginning, hoping that they would participate in the activity simultaneously, not only from the perspective of safety, but also from the perspective of the effect of expanding cultural communication, so that these people and things related to teenagers could also participate in the activity. Therefore, the social and influence aspects of calligraphy learning have been expanded, especially in Mi Fei park. from leaders to employees, they not only took part in organizing this activity, but also mobilized the local cultural tourism, transportation, health and other units under the direct leadership of the district party Committee and government. they worked together to make this work meticulous, solid and efficient, and played a role in promoting and publicizing the local culture. Therefore, we salute them! Finally, I wish the competition a complete success! May all the contestants learn from by going up one flight of stairs! Thank you!
Release date: Jul 24, 2018 Page view : 85
Dean Yan gongda attends the 3rd Council meeting of the 6th Jiangsu people's association for friendship with foreign countries
Dean Yan gongda attends the 3rd Council meeting of the 6th Jiangsu people's association for friendship with foreign countries Liu peilong held yuntang academy the day before yesterday On the afternoon of July 10, the third meeting of the 6th Council of the Jiangsu people's association for friendship with foreign countries was held in Nanjing. the president of the national association for friendship with foreign countries international art exchange and the vice-president of the Jiangsu people's association for friendship with foreign countries respectfully attended the meeting and were invited to present honorary certificates to 18 foreigners such as git Larsen, who was awarded the title of " Jiangsu people's ambassador for friendship" for his outstanding contributions to Jiangsu's economic construction, social development and the promotion of Sino-foreign exchange and cooperation. It is reported that in June last year, the Jiangsu province friendship association formulated the " implementation measures for the award of the title of" Jiangsu province people's friendly envoy ", specifying the conditions, procedures, time and honor for the award of" people's friendly envoy " so that the work can be carried out in a standardized and orderly manner. At the meeting, Bai Suning, president of the provincial friendship association, said that some of these foreign friends have long poured out their love for the people's friendly flowers, some have devoted themselves to the development of local economy, some have contributed what they have learned throughout their lives to improve the level of local medical care, and some have selflessly contributed to charity. By conferring the title of " people's friendly ambassador" and commending foreign friends for their contribution to the promotion of friendly cooperation, we will further stimulate the enthusiasm of foreign friends to participate in the economic and social development of our province, strengthen our cooperative relations with friendly people from various countries towards China, and promote our province's foreign exchange and cooperation. Among them, the honored Japanese friends Xin fa Tian Feng, south Korean friends Zheng yintai and Xu Dayuan, and the wife of French friend Beth attended the meeting. they respectively told the story of their ties with Jiangsu and their beautiful expectation of continuing to promote friendly exchanges and cooperation between China and foreign countries. According to reports, up till now, Jiangsu province friendship association has established contacts with 126 friendship groups, chambers of commerce, associations and international organizations in 63 countries around the world, and has maintained close ties with more than 20 foreign national friendship groups.
Release date: Jul 24, 2018 Page view : 84
Respectful cultural understanding: persisting in the unique thoughts, feelings and aesthetics of the Chinese people
Respectful cultural understanding: persisting in the unique thoughts, feelings and aesthetics of the Chinese people Original: courtesy to mass magazine one week ago Courtesy, professor Tsinghua University, tutor of doctoral students, national first-class artist, expert enjoying special allowance from the state Council. Part-time professor of Nanjing university and southeast university, dean of Chinese calligraphy research institute of southeast university. Recently, he talked about Chinese culture in the publication of " the masses and the mass school" and proposed to insist on using the unique thoughts, emotions and aesthetics of the Chinese people to create works worthy of the times. The society is in a transitional period and needs to plant more faith. Since the reform and opening up, the economy has developed at a high speed, people's life style has undergone tremendous changes, and the society is in a transitional period. we need to plant more faith. The people have faith, the country has strength, and the nation has hope. Once faith is lacking, it brings about the crisis of human nature. The Chinese people need to find back the gentleman's style that our ancestors once had: confidence, honesty, perseverance, dedication, erudition, fraternity, comity, bearing ... the return of this kind of national humanistic spirit is the expression of Chinese culture's confidence, self-improvement and self - awareness. People need to believe before they can stick to their integrity, be reverent and stop doing things. A nation and a country need faith in order to become a respected power. Facing the rich historical gifts, facing the current superior physical competition and reflecting on the impetuosity of some people in the art world in the new era, we must continue to keep our introspection and humility on history and take on the mission and responsibility for the future. In real life, some people are following the fashion and superficiality, paying attention to form and floating names. However, the world can be light and slow. only " the starry sky above our head and the moral laws in our hearts are indispensable" should we not abandon them. The book " the world is flat" divides globalization into three stages. The third stage is an ideal world with beautiful decorations: everyone stands on the ground together, everyone is the center and has become the leading role, with personality as dazzling as starlight. I think that in the internet age of " self - centered" and pursuing freedom and aura, those who stick to cultural beliefs, aesthetic ideals of the times and professional ethics need to truly " seek ways" so that the development thought of " people - centered" can be implemented and the socialist core values can be deeply rooted in the hearts of the people. The thought of " benevolence" is the common wealth of mankind. Historian Arnold Toynbee believes that the hope of mankind is in the east, while Chinese civilization will provide endless cultural treasure-house and ideological resources for future world transformation and human society in the 21st century. He believes that Confucian values make Chinese civilization conform to the needs of the integration of human society in the new era. However, Chinese Taoism provides the philosophical basis of the moderate and rational development view for human civilization. Therefore, the prescription given to the future human society is not force and military, not democracy and election, not western hegemony, but culture leading the world. This is the broad and profound Chinese culture. At present, the new technology not only gives birth to a new economic paradigm, but also transforms the whole earth into a large family with a higher dependency on human beings, promoting the transformation of human consciousness and elevating the human empathy consciousness to a new height. In this important period, Confucius' thoughts on " benevolence" ( or " empathy" ) are especially important. The world needs to re-understand human society and the whole nature with empathy. " empathy" - benevolence, this " invisible hand" helps the world to form a larger economic unit through cohesion and harmony. The thought of " benevolence" advocated by Confucius is the common wealth of mankind. Confucius believed that the self-development of human beings depends on whether they can promote the development of others, that is, " they want to establish themselves, they want to achieve their goals, and they want to achieve their goals". Confucius believed that human beings are naturally endowed with the instinct of giving empathy. only when one takes personal responsibility and takes care of the interests of others can one promote self - development. More than 2,500 years ago, Confucius called on people to build interpersonal harmony and harmony between human beings and nature with compassion. The german philosopher Jaspers once proposed the " axis age" and believed that around 500 b.c., Socrates and Plato in ancient Greece, Lao Tzu and Confucius in China, Sakyamuni in India, and Jewish prophets in Israel had constructed different theories. In a sense, the development of various cultures in today's world is just another new leap forward in the " axis era". There will be a new " axis era" in the future, and the world will see a new situation of multi-cultural development under the perspective of global consciousness. The new " axis era" is very different from the " axis era" around the 5th century BC. Some scholars believe that the new " axis era" is characterized by economic globalization, integration of science and technology, and cultural pluralism. Various cultures will determine their contribution to human culture by absorbing some factors of other cultures and their ability to update their own cultures. Therefore, under the view of global consciousness, the modern value of Chinese traditional culture is more prominent and has won new development and progress. Cross-cultural and interdisciplinary cultural studies will become the driving force for cultural development in the 21st century. Different cultural traditions and disciplines are blending with each other. It can be predicted that in the 21st century, which traditional culture can most consciously promote the dialogue and integration between different cultural traditions and different disciplines, which culture will have greater influence on the development of the world culture. The new " axis era" in the 21st century will be an era of multi-dimensional dialogue and an era in which disciplines blend with each other. In the new " axis era" culture, truly accomplished thinkers will be both national and world - wide. The profound philosophical thoughts and cultural values contained in Chinese traditional culture will play a certain leading and promoting role in the new " axis era" for human society. According to the rules of the ancients, open one's own life Today we are in a new awakening era of human culture, science, economy, politics and society. This is a new opportunity to challenge human civilization, test human wisdom and innovate human mind. Cultural awareness is a kind of promotion, a kind of transcendence, a kind of direction, and a kind of spirit. it has both objective cognitive significance and the significance of subject development. " the worries of the world first and the joys of the world later" between worries and joys, we have to ask what is going on in the world. What is the world? Confucianism in Chinese traditional culture is a kind of humanism based on Xiu De's professional work, which can make people contribute to the society by improving their inner qualities as " human beings". Taoist thought is a naturalism based on the desire to diminish. it can make people conform to nature and return to human nature and contribute to society. Confucian " righteousness" and Taoist " inaction" philosophy and their thinking mode of " harmony between heaven and man" can also contribute to human society. Therefore, the excellent Chinese traditional culture plays an important role in adjusting the " relationship between people", " relationship between people and nature" and " relationship between people and their own hearts". Times are changing and society is developing. Our cognition of change is to see the creative power caused by change and the creative spirit in change. In the process of creativity, we have seen a positive and vigorous spirit, that is, the " dry" spirit. I also saw the spirit of " Kun" that is to say, the spirit of carrying things with kindness. Chinese culture pays special attention to the close relationship between heaven, earth and human beings, which is manifested in the belief that " heaven can give birth to people, and human beings can promote Tao". One can master the whole law of the universe by enriching Tao. The cultural creation of contemporary China is to realize the common life and cultural value of human beings and society in the realization of self. therefore, the new awakening of contemporary culture is " taking Tao as the foundation and taking morality as the foundation" - technology advances into Tao. The awakening of the cultural creation and future development of the times is the moral responsibility cognition and duty performance awakening of intellectuals " the rise and fall of the world, the common man has the responsibility", and the awakening of the construction and perfection of the humanistic creation spirit of the times " all things are known and all things are Tao - shaped". General secretary Xi Jinping pointed out in the report of the 19th national congress of the communist party of China: " persisting in creative transformation and innovative development has continuously created new brilliance of Chinese culture. " different shapes and materials created by human beings have been spread through the condensation of history. The Chinese tradition once emphasized " harmonious learning", which is a kind of wisdom put forward by Chinese sages to resolve cultural conflicts, including personality ideal and social ideal. The reason why Chinese traditional culture, which is dominated by Confucian culture, emphasizes the ideal of personality is due to various contradictions and personality splits caused by the conflicts between man and nature and between man and society. " the road is abandoned, benevolence and righteousness are emphasized" ( Confucius ). Confucianism stresses " inner holiness and outer king". " inner holiness" - moral cultivation; " foreign king" - daotong is king. " the unity of the holy king" is the unity of the inner saint and the outer king, that is, the unity of heaven and man. this is the Confucian ideal of personality. The integration of Confucianism, Taoism and Buddhism in Chinese culture; the administration of the world by Confucianism; the administration of the body by Taoism; and the administration of the heart by Buddhism. " heaven is strong, the gentleman will never stop striving for self-improvement" ( Confucianism ), " the terrain is vast, and the gentleman will carry things with kindness" ( Taoism ). Sima Chengzhen put forward seven essentials of self-cultivation - faith and respect, separation of fate, acceptance of heart, simplicity, truth, certainty and morality. This is the highest ultimate concern. There are many kinds of contradictions in today's society, that is, the contradictions between man and nature, between man and society, between man and man, and between man and soul. The Chinese culture has a long history, is extensive and profound, accumulates the deepest spiritual pursuit of the Chinese nation, and represents the unique spiritual symbol of the Chinese nation. Only by inheriting and developing the excellent Chinese culture can we " open up our own life in accordance with the rules of the ancients" and persist in creating works worthy of the times with the unique thoughts, emotions and aesthetics of the Chinese people, thus creating new brilliance of the Chinese culture. Excerpted from the third issue of " mass - mass school" in 2018, the original title was " promoting cultural self-confidence and self-awareness in the new era." Author: courtesy Original editor: Chen Weiling
Release date: Jul 24, 2018 Page view : 90
Courtesy: dialectical unity of yin and yang in calligraphy
Courtesy: dialectical unity of yin and yang in calligraphy Original: Peng Qingyang embrace yun Tang academy July 7 Hui gan tie by Mi Fei Dialectical relationship between yin and yang in calligraphy. The principle of yin-yang balance in Zhouyi runs through the whole process of calligraphy transformation. " one yin and one yang means Tao" - yin: softness, deficiency and quietness; Yang: just, real, moving. " ... with the movement of the pen as yang, with the silence of the ink as yin; Take qi with pen as yang and color with ink as yin. Yin and yang in the body use pen and ink ... " ( Tang Dai )" black is yin, white is yang, yin and yang make up, which is the work of self-creation " ( Zhang style ). In calligraphy, opening and closing, contending for concessions, deficiency and excess, hiding dew, vertical and horizontal, ping qi, fangyuan, consolidation and dispersion, sickness and astringency, hardness and softness, moistening thirst, obedience and inversion are the dialectical unity of yin and yang. - respectful words of " yun Tang yi si Lu" Mi Fei's " Zhu zhong tie" Cai Yong's " nine potentials" says: " the book originates from nature. Nature is established, yin and yang are born Yan; Since yin and yang are born, the situation has changed. " since writing is natural, calligraphy should follow nature, and the beauty of calligraphy is higher than nature. Mr. Yan gongda believed that " the principle of yin-yang balance in the book of changes runs through the whole process of general changes in calligraphy" was true. For example, Liu Xizai thinks in the book overview: " there is yin and yang in the painting. If horizontal, the upper part is yang and the lower part is yin. Vertical is yang on the left and yin on the right. Only those who have the slightest qi can have both yin and yang; otherwise, they can only have yang. " Liu Shi applies yin-yang theory to calligraphy theory to analyze and explain the most basic strokes of calligraphy art - horizontal and vertical. he thinks that" only those who have a few cents can have both yin and yang ". this is the result of the center's use of pen and ten thousand cents. Mi Fei's " Yanhe post" " one yin and one yang means Tao," and scholars of all ages have attached great importance to the Yi-ology concept of " yin-yang balance and integration". Zhang Huaiguan's " six - body book theory" says: " the husband has negative yin and holds yang, and the book is soft outside but firm inside. If it is slow, it will be fine at first; if it is urgent, it will be destroyed; if it is short, it will be different; if it is short, it will lead to the slope of the rock valley; if it is dangerous, it will not collapse; if it falls, it will not lose. " Liu Xizai's" book summary " says:" books should have both yin and yang. All calm and depressed, yin also; Qiba haoda, yang also. " these Yi-ology philosophies are expressed in the calligraphy techniques as the deep integration of multiple contradictory unity. This philosophy is everywhere in the calligraphy art, as Mr. Yan gongda said, " opening and closing, contending for concessions, actual situation, hidden dew, vertical and horizontal, even odd, fangyuan, whole and scattered, malady, hardness and softness, moistening thirst, shun and inverse are dialectical unity of yin and yang in calligraphy." Mr. Rao zongyi stated in " yi gua is the ancestor of calligraphy" that " it is true that all arts apply the principle of bipolar opposition. literature, music, dance and drama are all exceptions, but none of them is based on bipolar opposition as calligraphy is. ...... nothing is not the embodiment of the relationship between yin and yang, which is the infiltration and expression of the spirit of yi ". Mi Fei's Yuan Ritie Liu Xizai's " book summary" says: " book, yin and yang are inflexible and unyielding. generally speaking, it is fair to conform to the nine virtues of" Yu Shu ". " calligraphy should have both yin and yang qi" and " cannot be biased". this is also the state that emphasizes the fairness and harmony pursued in calligraphy aesthetics.
Release date: Jul 24, 2018 Page view : 82
Cultural adherence with LAN style in mind - on the elegance of Li duokuan's calligraphy
Cultural adherence with LAN style in mind - on the elegance of Li duokuan's calligraphy Wang zhaoqian holds yuntang academy July 5 It was too late to get to know him and his calligraphy. he wrote several pieces of essays in the form of urgent chapters. Many people who didn't know it before, and even more so before they knew it, had feelings of ignorance and trepidation. For a period of time, I hid myself in my study to show my reading, experience and wander among the long volumes and short chapters of su Shi's " long and short, rich and barren" ( su Shi ). for example, I looked at the distant mountains and the bay of flowing water. the weather, state, or meditation were not all that our generation could do. One When it comes to calligraphy, the word " skill" is often used to describe calligraphy. however, it is hardly known that " skill" can be learned, while " skill" cannot be obtained without support, and cannot be obtained without temperament and personality that does not conform to customs. I think that the calligraphers should cultivate their heart first and seek freedom without desires. Learning books naturally depends on learning from others, but learning from others is only an outer edge, and the real heart edge is oneself. In how wide and vivid the world of calligraphy art is, the solemn and respectful atmosphere of " staying calm" comes, as if it smelled the far fragrance of " valley of chivas". Don't be perplexed by material desires, don't be tired by the world. in a state of freedom that has nothing to do with interests, how broad is it to polish years and testimonies into words. Pen and ink, concepts, forms and techniques have all been dissolved out of ease. " thin suburban isles", dimfragrance floating, straight into the bookstore, has its own style of character quiet, elegant and clean literati spirit. How comfortable he was, how broad he was, and how to integrate life sustenance, life perception and culture into the soul of calligraphy. thus, when the world bureau changed, his clean mind was filled with a precious cultural mood. How broad and so comfortable a culture is to stick to it is a lifelong learning and also a kind of realm. Clean tight, also elegant tight. Two Ji Li Ji, written by Chao buzhi of the song dynasty, said: " learning books is in law, and its beauty is in people. law can be passed on by everyone, and beauty is only in the heart. " independent acquisition" can be regarded as the artistic feature of calligraphers, that is, Ouyang xiu said: " learning books should be a self-contained body" ( learning books should be self-contained body ). Commenting on duokuan calligraphy, Mr. Yan gongda said, " in his works, duokuan can clearly show his elegance. " the end is the theory that is close to ken. Elegance is a unique aesthetic category in China. Human beings may produce beauty at the earliest, but not elegance. elegance is an aesthetic phenomenon after possessing cultural knowledge. The artistic interest nourished by Chinese calligraphy also focuses on elegance. " quaint" is a more valuable form than beauty. from an aesthetic point of view, elegance is the sublimation of beauty and an artistic state that can be reached by defamiliarization and personalization. By concentrating on how wide a word is, you will find that its form and meaning constitute a living artistic body. It has transcended form and entered the field of aesthetic mind observation. Calligraphy art, no matter how skillful the brushwork and how skillful the layout are, cannot enter the elegant level if it cannot convey the images and implications with super - formality, express the calligrapher's heart, certain cultural spirit, and carry his own aesthetic information. Tang Zhang Huaiguan said in the book of Zhang Huaiguan talks: " those who have the spirit of character live in the upper place, while those who have the function of beauty live in the lower place. " how broad is it, how deep is it, how deep is it, how strong is it, how strong is it, how deep is it? how deep is it? how deep is it? how broad is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep is it? how deep With elegant soul, the art of elegance will naturally be achieved. otherwise, " it is not enough to stir up trouble and trace the ancient garden. it will eventually end up in silence" ( Ming Wang Tingxiang's " on poetry with Guo jiafu's bachelor of arts" ) Three Elegance to calligraphy is bound to have a life form. The lively and free spirit of the book is exactly the specific connotation of its life form. Ya not only pays attention to form but also emphasizes content. The elegance of calligraphy has the characteristics of guiding from limited to unlimited and from inevitable to freedom. it requires its own implication to have universal significance related to cultural inheritance and cultural spirit. This so-called book way also. Gao yazhi's book, one painting at a time, is filled with pearls everywhere. as Rodin praised, " a line through the great universe in which everything feels free." " How wide it is to write and endure loneliness. the blue light and yellow roll together and stay together alone. for example, the old monk is sitting meditation, one tea and one dish, all thoughts are empty, and his heart is calm like water. " mountain stack of water turns, trees mixed with clouds. My eyes have always been turned back, and my heart has also breathed out. The spring sun is slow and the autumn wind is rustling. Love to give, xing to such as answer ". Once a bookseller writes with great concentration, he speaks of feelings, not only the characteristics that are incorporated into life, but also the characteristics that spit out feelings. Not only access to traditional gifts, but also give traditional emotional rewards. Some so-called booksellers often claim to write in the impulse of creation. cloud " writing is a kind of creation" is rather shallow. Little imagine, anyone who has learned to support a profound person, before writing and dropping ink, thought will screen out all the miscellaneous thoughts of gum ge. first, he will read without vulgarity and fill in the chest, and write with disdain? It should be noted that it is precisely because it is not vulgar in words that it is not vulgar in heart. How can one concentrate on writing when he is apt to say " creation" and " creation" and has other thoughts and thoughts in his heart? Contemporary booksellers are too intent on books and too eager to achieve quick results and quick profits. this kind of " attention" is excessive, but the result is frustration or aphasia, which makes them identical and devoid of spiritual charm. Zhang Zhao of the Qing dynasty discussed the book and said, " if the book is intentional, it will be delayed. "" its divine reason is superb. those who like nature itself do not live inside or outside and in the middle of what they do when writing. " How wide to write without giving birth to miscellaneous thoughts, but only to seek proper height, smooth form and male tone, long-standing habits, reserved and refined form and trace are all in harmony, which is like the wind and spirit, and self - transcendence. To use Feuerbach's words, to reach this state, " people involuntarily visualize their inner essence through imagination". after experiencing this visualization and personification of nature, people unconsciously enter the state of " harmony between heaven and man". As a result, in the philosophical view of " harmony between heaven and man", how broad is the elegance and interest of calligraphy in harmony with elegance, and how free and easy is Tao ran's writing. Qing Wang Shizhen expressed similar artistic experience in his " Dai Jing Tang Shi Hua": " I often enter Zen and have the wonderful feeling of getting carried away. I am silent with the net name, reaching to the marrow of my heart and getting through the same process. " Four Calligraphy pays attention to the spirit of " virtual quietness". " empty" means that its realm is empty and lofty. The " quiet" refers to the elegant and quiet artistic conception. Since the Wei and Jin dynasties, elegant culture has created Wang Youjun's calligraphy classics such as " preface to Lanting collection" and " baoyin haoshu", which are naturally simple and elegant. during this period, they were obviously influenced and influenced by the thoughts of Lao Zhuang and Shi Jia, forming a fresh elegant soul of " virtual quietness". This elegant soul has always nourished the art of Chinese calligraphy. Seeing how wide the book is, the empty spirit is like water, there is meditation in silence, which makes people see the unique spiritual space of the Chinese literati. How wide is the society in which the world of mortals billow and the ghosts of things wander everywhere, yet " every quiet room monk slips, forgets all worries, and flows with bi Xu" ( song Mi Youren language ). His book with great concentration, with LAN feng in his arms, can reveal the profound, profound and quiet nature of his spiritual world from the book of virtual quietness and simultaneous cultivation, and the mastery of spirit and rhyme. Only if the article can have a good idea can it create the environment, and so can calligraphy. Environment, the ideal environment also. To write, one must first clean up the lingfu, use poetry and calligraphy, which is based on conscience and morality, experience and training for a long time. then, the artistic conception naturally goes away from vulgarity and becomes quaint and unique. In the elegant artistic conception of many wide books, there is a broad sea and sky atmosphere, a cool breeze and a bright moon mind, and an eternal style of scholar. There is a broad cultural feeling, which embodies a profound and heavy cultural load and leaps a fresh, clean and lonely cultural soul of a Booker. How broad a person is, he is clean, Tolstoy said. the spiritual beauty of a person is first and foremost simple. What a wide word is elegant, and there is no vulgarity in the current book world that is filled with materialistic desires. How wide is the existence, in a single image, or " a lonely warning beside a cultural trap". Li duokuan, graduated from the history department of Beijing university, vice chairman of the China international calligraphy and painting research association, member of the Chinese calligrapher's association, director of Jiangsu calligrapher's association, consultant and academic mentor of Beijing university alumni calligraphy and painting association, and member of the 11th CPPCC national Committee in Jiangsu province. Calligraphy exhibitions have been held successively in Beijing gongwangfu, Jiangsu art museum, Nanjing elephant art museum, Nanjing art museum, Xiamen art museum, new Zealand Buddha mountain art museum, new Zealand Asian book and culture center and Auckland metropolitan museum.
Release date: Jul 24, 2018 Page view : 80
The 2018 postgraduate graduation ceremony was held at the school of arts of Nanjing university. professor Yan gongda presented the degree certificate to the postgraduate students.
The 2018 postgraduate graduation ceremony was held at the school of arts of Nanjing university. professor Yan gongda presented the degree certificate to the postgraduate students. Baoyuntang academy July 3 On June 29, 2018, the 2018 graduate graduation ceremony of the school of arts of Nanjing university was held in the report hall of yifu museum in Gulou campus. more than 90 graduate students of the school of arts graduated. The ceremony was attended by all teachers and students of the art institute, some students' parents, relatives and friends, etc. At the beginning of the ceremony, all the teachers and students enjoyed the original memorial video of the graduates " yi Lu you". The video shows the dribs and drabs of graduates in the art institute, carrying their attachment to their alma mater and their expectation for a better future. At the graduation ceremony, all doctoral supervisors and master's supervisors issued graduation certificates to the graduates. Invited guests of the ceremony: professor Yan gongda, master of calligraphy supervisor of Nanjing university's school of arts, professor Zhou xian, professor Zhao kuiying and professor feng Yu of the school of arts presented degree certificates for part-time professional master of arts graduates.
Release date: Jul 24, 2018 Page view : 77
Courtesy: seal script should be round, thin and uneven
Courtesy: seal script should be round, thin and uneven Peng Qingyang holds yuntang academy July 2 Xiling printing society of Wu Changshuo, 1915 The Qing people proposed three requirements for seal script: first, to be round, second, to be thin, and third, to be uneven. I refer to this round as round strength, not round vulgarity. This thin refers to thin, not skinny; This irregularity refers to the fact that it is not an odd state of disorder and disorder to draw and move things in a neat and orderly way. The seal character is precious, heavy, thick and clear. it contains a fluid body in its composure. both charm and lightness are faults. The seal style is round, while the rounding is weak and boneless. When one forms one's own body, one passes one's own without rhyme. The key is " degree" when using a circle instead of a square pen and a circle instead of a square body. - respectful words of " yun Tang yi si Lu" Liu Yan Lian, Huanghua ancient temple, Wu Changshuo Wang Shu said in bamboo cloud inscription: " Yu often said that there are three requirements for seal cutting: one is round, the other is thin, and the other is uneven. " Mr. Yan gongda explained the" three essentials " with years of practice and thinking in calligraphy. " round refers to round strength, not round vulgarity". Sun Guoting once said, " the seal character is graceful and smooth, and its meaning is simple and profound. it not only expounds the shape of the seal character line's round turn and smooth charm, but also emphasizes the line shape shown by the front pen, that is, full, round turn and smooth. Liu Xizai believed that Sun Guoting's viewpoint was not dialectical enough, adding: " Yu said that this must be gentle and more vigorous, and that it is acceptable to communicate with each other and become more virtuous. Otherwise, I'm afraid it involves tracing words. " that is, the seal script should be" graceful and smooth ", but only tactfully" flowing and sliding " will appear; If you don't use your pen properly, you will break your pen and show your sharpness instead of strength. Therefore, in the process of writing, we should treat " wan" and " tong" dialectically, and " wan" should be vigorous and vigorous, while " tong" should be restrained with astringency. This is exactly the meaning of " round strength" emphasized by Mr. Yan gongda. Wu Changshuo shujiao flower yin qi Yan Lian " thin" refers to thin, not skinny " refers to the shape and quality of seal script lines or rounded and symmetrical, or the meaning of dispersion rate, or concise and vigorous, or simple and heavy, all should have the meaning of" thin ", to" thin " spirit, rhyme, momentum. The inner quality of the seal character " thin" lies in the fact that its lines must have a strong and forceful texture, that is, " strong and strong". what Liu Xizai said " the place of seal character is nothing more than strong and strong" is indeed a theory. Wu Changshuo linsanjiepan inscription " jagged" refers to the point drawing and shifting in order. it is by no means a misnomer. it emphasizes that there should be changes in the character potential of seal script. Seal script, especially small seal script, is a book body with strong sense of order and uniformity. its body structure is concise, regular, and coordinated. its writing style is even, round, and neat. however, there are still some changes in order. in " daqi", it is a bit of a move in order to obtain a static and vivid aesthetic effect of seal script. As Liu Xizai said, " the seal script should be like longteng fenglei, which can be seen from Changli song" Shi gu ". Or, if you take them neatly and do not change them, then you will have the best of them. " Seal script should be round, thin, and uneven. although there is a saying that " one of the three is lost and the other is lost", the key to the concrete application is to grasp " degree". Wu Changshuo swimming fish Gao Liu ba Yan Lian
Release date: Jul 24, 2018 Page view : 88
Deferential words: the white cloth of seal script should emphasize " empty"
Deferential words: the white cloth of seal script should emphasize " empty" Original: Peng Qingyang embrace yun Tang academy July 1 Sha Manweng seal script The white cloth of seal characters is one white cloth in the characters and the other white cloth word by word. the word " virtual" should be repeated. Nowadays, people are learning seal script, blindly seeking truth from facts, and all the wonderful things that don't know what is actually happening are caused by the empty place. The ancients had an incisive exposition that " all articles, paintings and calligraphy should focus on the empty place". Looking at reality with virtual reality, seeing reality with virtual reality, and seeking the realm without pen and ink, we can never understand the aesthetic significance of the blank seal script with superficial beauty alone. It is often aesthetic and substantial in the sense of neatness and naturalness in large and small seal script works. Therefore, the custom seal script must also follow the principle that the dense place is filled with heaven and earth, and the sparse place is extremely empty. the actual transportation is virtual, and the actual place is full of spirit. Take empty as reality, and all the broken places are connected. Take the back as the direction, even the place is broken. - respectful words of " yun Tang yi si Lu" Da Zhongguang's book raft: " light shines in the distribution. ...... white frame profile, hand cloth are neat; Scattered white, well-proportioned eye cloth ... the painting can be cut like a golden knife, and white begins like a jade ruler. Exquisite is due to the subtle use of white cloth. the change of body weight is divided into ... the brightness of black is divided into points, and the virtual purity of white is cloth. " the so-called" white frame outline " refers to the" white space " in the small composition of the Chinese characters, that is, what Mr. Yan gongda said," white cloth in the Chinese characters ", a kind of neat and even white cloth. " scattered white" refers to the " white space" between characters in the grand composition, that is, " word for word white". Sha Manweng seal script We usually call the place with ink " black", that is, the real place; Call the place where there is no ink " empty", that is, empty place. In calligraphy, both white and black should be counted and white and black should be known. this is the dialectics of verve produced by the combination of the actual situation and the actual situation in calligraphy artistic creation. From paying attention to the expression of pen and ink to paying attention to the existence and function of blanks, blank images, emotional rhymes and pen and ink jointly construct the complete life of the works. Zhu he - Tang's " linchi xinjie" said: " composition must stand on the top of the topic, think out of the empty space and get to the empty place. naturally, it will not take off or stick. Painting to the empty place, natural super muddy free and easy. It is not the only way to write a book. " it can be seen that white in black is a good method. Sha Manweng seal script Huang binhong once said to Lin Sanzhi, " the ancients placed emphasis on the real place, especially on the imaginary place, the dark place, and especially on the white place. the so-called" knowing white and guarding black " and" counting white and being black " were the most subtle of these things. you should understand them. The calligraphy of the monarch has many real points, but few imaginary points. the dark points see strength, and the white points owe kung fu. " in fact, this problem is met by every book learner. How to treat the black and white, the actual situation, the presence or absence, the yin and yang in calligraphy dialectically is not only a matter of skill, but also has risen to the height of " Tao". If " skill" abandons " Tao", how can one get a glimpse of the true meaning of calligraphy?
Release date: Jul 24, 2018 Page view : 79
Courtesy: books must be elegant
Courtesy: books must be elegant Baoyuntang academy June 30 Books must be elegant. I think there must be " five qi", that is, the qi of the scroll, the pure qi, the qi of Qing yi, the qi of Gao wan ( " wan" person, round and moving, profound and meaningful, not soft, mei and slim, wan and qi not disorderly ) and the qi of simplicity ( simple and natural, ancient and light and naive ). " being too familiar can hurt your elegance". being too sweet, too familiar, too flattering and too skillful is a common state. it is really not desirable. - respectful words of " yun Tang yi si Lu" Wang Xizhi's " travel invitation" Liu Xie's " Wen Xin Diao long ti xing" in the southern Liang dynasty says: " those who are elegant are those who are Rong style and classics, and those who are square with Confucianism and Taoism. " the elegance of calligraphy is elegant but not vulgar. it is pure and true, which makes people never tire of seeing it. its beauty is inherent and implicit. Liu Xizai's " book summary" says: " every discussion of book spirit is based on morale". Yang Shoujing's " book of studies" says: " while the rest is supplemented by two important points: one is to be of high character, while the other is to be elegant and elegant, and not to fall into the dust; One is to be rich in knowledge, with a chest full of ambition, and the spirit of a scroll will naturally overflow between the lines. " all stressed the importance of" bookish style ". calligraphy without bookish style will have no aesthetic realm of high rhyme and deep feeling, and there will be no lush and elegant atmosphere, thus becoming vulgar. Mr. Yan gongda stressed that elegant calligraphy includes not only " bookish style" but also some outward and outward things, such as " pure style, clear style, elegant style, and simple style". in this way, the sweet, ripe, charming, and artful customs of " woman style, soldier style, village style, city style, craftsman style, rotten style, beard style, Jianghu style, door courtesy style, wine and meat style, vegetable and bamboo shoot style" in calligraphy can be removed. Wang Xizhi's " he ru tie" and " feng ju tie" Where did the " five spirits" of elegant calligraphy come from? Yuan Li haogu's " Zhang sheng boiled sea" has a first discount: " originally it was a scholar playing a violin, with an elegant figure at the end. " it is known that it originated from the scholar's cultivation and accomplishments. Mencius said: " I am good at cultivating my noble spirit" and " five spirits" can be obtained through " good cultivation". the method and way of good cultivation is to read more books in order to increase my learning and enrich my knowledge, thus making calligraphy elegant and free from vulgarity. Nowadays, some book learners devote themselves to the practice of techniques and copying of calligraphy all day long. this is necessary, but it is far from enough. they need to read more to enrich their own cultural background and reveal the connotation of calligraphy. Su Shi's " Liu Shi's two nephews asked for two handwriting poems" ( one ) said: " it is not enough to write down a mountain of writing, but to read ten thousand volumes before you can understand god. The royal family has its own yuan and feet, and the mo Yan family chicken asks people more. " for those who read books, we can see the importance of reading. In terms of the charm of calligraphy, we can see the importance of elegance. Wang Xizhi's " peace post"
Release date: Jul 24, 2018 Page view : 77
Professor Yan gongda was invited to give lectures for the 9th provincial and ministerial level leadership calligraphy research class of the senior cadre bureau of China
Professor Yan gongda was invited to give lectures for the 9th provincial and ministerial level leadership calligraphy research class of the senior cadre bureau of China Peng Qingyang holds yuntang academy June 29 On June 25, professor Tsinghua University Yan gongda was invited to give a special lecture on " philosophical implication and aesthetic spirit of calligraphy culture" at the wanshoulu club of the Chinese Ministry of retired cadres for the 9th senior calligraphy research class of provincial and ministerial leaders. In the class, professor Yan spent nearly two hours systematically explaining the philosophical connotation and aesthetic spirit of calligraphy culture and encouraging members to achieve " triple" in calligraphy artistic creation: first, emphasizing personal cultivation and humanistic cultivation; The second is to lay emphasis on traditional classical learning and training. The third is to attach importance to the cultural creation of calligraphy in the times and work together to explore the perfect unity of humanism, scholarship and modernity in contemporary calligraphy artistic creation. Afterwards, professor Yan demonstrated in detail the methods and characteristics of using pens and inks in various book styles with a short video clip of more than 30 minutes. This lecture was unanimously praised by the senior leaders and retired cadres of the training class.
Release date: Jul 24, 2018 Page view : 96
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