Welcome to the Classic Arts Center
Creation Statement
Creation Statement Flowers come from all over the world and give them a certain implied meaning. In China, it is more of a comparison of personality. Chinese painting has its own theory of "whiteness is black," and the background of the painting is white. They are layered on top of each other. They only draw positive shapes and leave a negative shape; the blankness of the painting leaves enough room for the imagination of imagination. When oil and color blend, stain, infiltrate, and collide on a clean white canvas, the picture becomes controllable and uncontrollable, similar to the ink paintings of Chinese painting. On the technical level, it is intended to explore another manifestation of oil painting materials. possibility. In painting, he respects the natural form of objects and emphasizes their sense of existence, prevents stylization, writes shapes in “shape”, and depicts the state of flowers, the feelings of flowers, and the meaning of flowers. In the process of painting, it does not evade the application of western modern elements such as dot lines and surfaces. It draws more on the Chinese painting's pen and ink taste and humanistic spirit, and it embodies the aesthetics of traditional culture. It uses western painting materials to re-interpret flowers in contemporary times. Expression in context.
Release date: Apr 25, 2018 Page view : 72
West Lake Landscape Series Creation Readme
West Lake Landscape Series Creation Readme "The water is bright and sunny, and the mountains are empty and the rain is also bizarre. For the West Lake to be a child of the West, light makeup is always appropriate." The ancients have defined the beauty of the West Lake as the beauty of women. As is true, West Lake is like a pleasant young woman, Minghao is very popular, and blue is very good. Therefore, it is not appropriate to depict the West Lake Yihe. One day to see a scene, a realm of the day. Think in my heart, in my dreams, in the daytime, in the pen, in the temperament, in the paint, and in my heart. For a long time, the object image has been transformed into a form of painting. In this process, it does not evade the application of the western modern elements of the dot-line surface. It draws more on the Chinese painting's pen and ink taste and humanistic spirit. It also coincides with the aesthetics of the garden culture and uses Western painting materials to reinterpret the West Lake landscape in contemporary language. Context.
Release date: Apr 25, 2018 Page view : 60