In the autumn of 1984, He Zhesengjun, who lived in Chengdu, Sichuan, has passed birthdays, is an accomplished oil painter, but still far from the Bashan Shu Shui, Beijing to the Central Academy of Fine Arts training. It goes without saying that this is the spirit of his artistic progress. In the campus and studio, see his body thin, coupled with a pair of glasses, look to know is a quiet, good thinking, studious people. Over the past two years, we have been in touch with each other, and we are quite connected. Now, when I have the opportunity to review a series of works he has created since the 60 's, he has been able to verify and deepen his impressions of the past.
To any artist, including He Zhesengjun's works, we often find it difficult to leave our mental sense and aesthetic standards, even to infiltrate his personal likes and dislikes. But this does not mean that the basis of objective and realistic. Demanding, some of the works of He Jun, I, as peers, can be questioned from different angles, and even almost sharp see. However, when I was pondering the author's writing, I felt more clearly that it was particularly important and true to grasp a holistic understanding and evaluation.
I am renowned for "the abundance" of Sichuan Shu, outstanding, has a profound cultural tradition. People there, there is a strong and tenacious, hard-working, focused on enterprising, intelligent awareness of the characteristics, which is also the formation of the national spirit of the long place. Since ancient times, there have been many Jun Cai, it has long been proved no doubt. Zhe Sengjun naturally benefit. The formation of his personal character, talent and art, not undertook the endowments of the region abundant. Despite this advantage, we must not overlook the climate, that is, the entire historical era of an artist's life path and artistic life impact. He Jun was born during the anti-Japanese war, while the state and nation were at the peril of unrest and ridden. After the founding of New China, there has been tremendous changes. Although the sun shines, but when there is no ups and downs of the fate of the people and the worries of silence. It is bound to determine the life concept, artistic thought and creative psychology of Zhe Sengjun in the age of such changeable and difficult times. As his contemporaries, I understand deep to cut, but also I appreciate He Jun works must save the premise, as if the key to find a door to open.
Zhe Sengjun Many of the works, where the expression of characters, whether portrait or Yi Zang ethnic customs, are all from his familiar and directly from the Sichuan-shu root soil image of the United States and wisdom, simple folk customs, rich color; where the landscape, not from the Southwest natural Fortune or the magnificent Three Gorges, or plateau of the wilderness, white clouds, or trees, Yuyuki, Realm Andcypresses, even still life creation, also from the precious relics unearthed in Shu, bronze, terra cotta, stone carving, portrait
Brick ... Particularly typical, is the surging river on the shore of the Leshan giant Buddha. This is to express his nostalgia for his hometown, his love for the local humanistic landscape, and the tracing of the origin of the ancient culture. By this scenery, pour zhiqing, reposing within the beauty of the acclamations, so that its works contain the artist's own ideas, spirit and temperament, while reflecting a long history of Sinorama. You may wish to borrow a record of Zhe Sengjun three diaries
"Grandmother and I" 1988. Through generations of grandmothers, Hair Yan vicissitudes, engraved with the traces of wind and frost years, after all, is about to fade away. The reality of my first Mother belly, the new life is beating the modern blood, longing and demands beautiful future. In the throes of the new and the old, the traditional and the modern, the branches have been bred for the spring of the lark. -Waking from A dream
"Variations of Black" 991 years. Black-brown land and black trees bred from the black land form a variation between the vertical and the horizontal. Life or fate, all in this first variation of the background before the completion of their own journey. -My Destiny
"The Han Dynasty Pottery Horse" 1991 as the Han Dynasty art is full of vigor and vitality, and fully demonstrated the value of life, this style runs through the stone carvings, portrait bricks and terra cotta. A distant past inspires modern meditation-random
The above excerpt is suitable to Mingzhe in the modern social life to keep the deep thinking and the pursuit. Of course, the success of an artist is ultimately the most relevant one is the choice of artistic language. The charm of the work is in the works. As an oil painter, Zhe Sengjun in the process of mastering the language of European painting, and has been constantly tempered. We in a series of portrait, human body, scenery and other exercises, you can see him in the shape, color changes, strokes texture, picture structure, and so on, has a very high self-cultivation, a deep understanding of the solution, very solid skill. Not only that, but also the more valuable is that he can put this foreign oil painting language and local traditional aesthetic spirit, into their own skillful artistic language. Just give the one or two features to explore the full picture. One, Zhe Sengjun long in the museum, familiar with the ancient cultural treasures, become his constantly depicted objects, meticulously portrayed, and often with the modern characters cleverly constituted one, in the picture created a strong physical and chemical contrast and ancient and modern time and space distance contrast. What's more, perhaps the author has no intention of subtly revealing in his pen, or is the location of the Potters: whenever the picture is the background of deep tones, it highlights the inner mood of the figure's bright, full of longing for the future of life, and in the bright background of the characters, is dignified, contemplative mood, Waft out a hint of groundless melancholy. Second, Zhe Sengjun in the works in addition to trying to maintain the ability to create oil painting color rhythm, rich and thick and other language features, more attention to the Chinese traditional painting of the mood, feelings and unique form of the composition in their own works in the organic combination. In numerous traditional paintings, before the natural creation of thousands of meteorological, Zhe Sengjun found the favorite most suitable for the main body-tree. This is an extremely Minhui choice. Because of the variety of trees, is condensing the natural life of all kinds of changes in the shape of the body, whether Shu Yu, twisted, straight withered, Jin Festival, are metaphors of human, personality, the essence of life. So, in a considerable number of his paintings, the performance of the tree is extremely attention, in addition to the intrinsic requirements of the property, but also to borrow Chinese calligraphy unique to the line of the aesthetic law, in order to enrich its sense of expression, enhance its performance, thereby flashing the style of our oriental people and temperament. In recent years, with the reform and opening-up of the modern pace, internal and external information exchange benefit frequency, to the artist to bring more broad thinking space and performance areas, forming a variety of schools, styles of diverse patterns of development and change in the tide of market economy, He Zhesengjun can so calm grasp of their own art orientation and direction, In the inseparable of the spirit of the West Shu, this is entirely based on his thinking of modern life and art full of love and wisdom, should be regarded as an artist's dedication and maturity. Letter He Jun Deep distant chant will send a more meaningful wonderful rhyme
Release date: Jan 05, 2018
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