Welcome to the Classic Arts Center
Comments by Mr. Xue Jun, famous calligraphy critic, member of the Chinese calligraphy association and director of Shaanxi calligraphy association:
Comments by Mr. Xue Jun, famous calligraphy critic, member of the Chinese calligraphy association and director of Shaanxi calligraphy association: Mr. Wang dingcheng published Wang dingcheng's written song ci in two ooo, Wang dingcheng's yuan song Mo Yun in two oo's three years, Wang dingcheng's Analects of Confucius calligraphy in two oo's five years, and then he published such monographs as " mo du Wen's proverbs". Never appreciate the masterpiece, only listen to its title, is extremely unique, unique; There are quite a lot of literati's elegant sentiments and rich bookishness. Its binding design is more elegant and meaningful than a book. One book is closer to the traditional binding form of a book than the other. I cannot help saying that Mr. Wang dingcheng has a special interest in Chinese traditional culture. he is really a " man of heart" in pursuing and promoting it. The accumulation of knowledge, the experience of life and the perception of life are also the prime time in one's life. It can also be seen from these that his untiring pursuit, value judgment and aesthetic orientation in life are at the same time the natural expression of his true feelings.
Release date: Jun 07, 2018 Page view : 76
Commentary by Wang yizhi, a cultural scholar, professor and famous calligrapher:
Commentary by Wang yizhi, a cultural scholar, professor and famous calligrapher: Mr. ding cheng's sincere, simple and elegant inner temperament just goes hand in hand with the heavy and vigorous atmosphere of the second notice, without any provocation and without any hesitation, and is calmly matched. Therefore, it should be wise for him to focus on the second position, and he also has natural advantages. Reading the plaque he inscribed for Xi' an city wall's ring park, the plaque containing the pavilion of light, the plaque inscribed for Hanzhong guanjiang building, and the cliff stone inscription inscribed for the ancient fairy lake scenic spot in pingli county, southern Shaanxi province, there is a great, elegant and natural atmosphere. The writing style is stable, the ink color is thick, the writing style is reversed, the writing style is collected and the front is hidden, the ups and downs are raised, the elasticity is full, the attention is paid to the echo, and the pulse is connected. it can not only read the strict and neat regular script, but also can read the heavy and strong atmosphere of Wei Bei. it can also read the flowing and free style of the running script. the three characters in the style are scattered in size, full of changes, and each has its own merits. it is also compared with the text, and the contrast between the two forms a strong contrast.
Release date: Jun 07, 2018 Page view : 80
Comments by renowned writer and editor-in-chief of American magazine, Mr. anli:
Comments by renowned writer and editor-in-chief of American magazine, Mr. anli: Wang dingcheng's calligraphy first impacted my vision on its shape. It is also a Chinese character, but when he comes to his works, it seems to have a special charm. Those fonts, like animals in Shan Ye, wander freely and run freely, breaking through the fetters of rules and eliminating the fetters of rigid formats. But after careful study and careful taste, he found that his font was crazy but not epilepsy, drunk but not rotten, and stuck to some big style in a unique style. He fused various schools and techniques of ancient calligraphy, combining the dignified official script of the northern Wei dynasty with the bold and unrestrained running script of the Wei and Jin dynasties, thus smelting his own unique writing style. Therefore, his calligraphy is unrestrained and restrained, free and easy but not floating, backed by tradition and subverting tradition, adapting to modern times, but not mired in melodramatic kitsch. One is free from vulgarity beyond the world, one is graceful and clean after the lotus leaves come out of the water, and the other is fresh and wet with " after rain the empty mountain" like a cloud and mist, winding between the lines.
Release date: Jun 07, 2018 Page view : 75
award for Chinese calligraphy Lanting award;
award for Chinese calligraphy Lanting award; The value of Wang dingcheng's aesthetic orientation lies in the integration of male strength and Qing Li. especially in his cursive script, he can not only see the extension of potential, but also have the whirl of rhyme. he strives for strength and strength but not delay and inflexible. he strives for change and lyric but not capricious. he points out, uses pen and knot characters so as to make the structure of composition a natural one, and is in harmony with nature. The orientation of Wang dingcheng's calligraphy language is diverse. the two kings are fresh and fluent, su and mi are strong and graceful, and the skills and laws are seen in the floating rocks. Xiao San naturally sees the pleasant and wonderful interest of " getting it by chance". There is no doubt that he has accumulated many years of experience in the language of calligraphy itself. in a sense, his revelation is far better than the work itself. In the era of " everything inevitably goes vulgar" ( Wang xiaobo language ), Wang dingcheng also got a false name in langde: a member of the Chinese calligrapher's association, standing vice chairman of Shaanxi calligrapher's association, distinguished professor of northwestern university, consultant of the Chinese Wang Xizhi research Jin ting calligraphy association, honorary dean of Shaanxi Jinshi calligraphy and painting institute, researcher of Shaanxi museum of literature and history, member of the provincial Federation of literature and art, etc. The works are collected by the great hall of the people and many museums at home and abroad. Special editions of hundreds of newspapers, magazines and television stations such as " Chinese calligraphy", " great appreciation of fine arts", " Chinese outstanding person", " book method newspaper" and " tuanjie newspaper. overseas edition" of the Chinese people's political consultative conference are recommended.
Release date: Jun 07, 2018 Page view : 80
Evaluation of Dr. qu Jian, dean of the art school of northwest university of China;
Evaluation of Dr. qu Jian, dean of the art school of northwest university of China; Mr. Wang dingcheng's calligraphy art is a reflection of his true nature. he is able to acquire the skills of various families and integrate them into one another, making his works show a kind of nostalgia and yearning for the sound of silk and bamboo caused by the loose and meaningful feelings in traditional culture. he does not lose the charm of the Jin and Tang dynasties and the backbone of the song and yuan dynasties, but also has the charm of the Ming and Qing dynasties. he does not have any trouble with board, stagnation, knot, or frivolity, and everything is within the limits of the laws and regulations, and there is no impediment to the machine. his style is as Lao du put it: " vigor and vitality are still wet."
Release date: Jun 07, 2018 Page view : 75
Professor, doctoral supervisor, calligraphy department, school of art and media, Beijing normal university, director of Chinese calligrapher's association, ni wendong commented:
Professor, doctoral supervisor, calligraphy department, school of art and media, Beijing normal university, director of Chinese calligrapher's association, ni wendong commented: Writing small characters in calligraphy works is more difficult than writing large characters. The first thing to write in the large-character second book is to write " potential". Brother ding chengxiong's second notice shows a heroic spirit, full of righteousness and quite a bit of Xu Fugui's spirit. Hanging in the hall of much attention makes the viewer pleasing and difficult to move. My brother ding cheng and I have been in contact for more than 30 years. we know very well that his basic skills training in calligraphy are very strict. besides, be adept at's stele method, with its heavy and elegant calligraphy, can reach today's state.
Release date: Jun 07, 2018 Page view : 78
Evaluation of Xiao yunru, a famous contemporary cultural scholar;
Evaluation of Xiao yunru, a famous contemporary cultural scholar; He is determined to be slow in speech and sensitive in thinking, humble in colleagues and refined in calligraphy. Dharma's practice of writing on the wall has lasted for several decades, from shallow to deep research, from personal and pleasant expression to painstaking study accumulated by former sages. In the two-dimensional coordinates of the individual mind and the tradition of the former sages, we also pay attention to the extensive acquisition and acquisition. Take xingcao, which he focuses on, as an example. using Wei Bei as the base, combining Tang kai and Jin Wen's seal script, we feel that the sedimentary layer of history and culture has injected vitality. Huang zhong and da Lu clearly heard the sound of silk and bamboo in the background. Elegance can be said to be the most important aesthetic information conveyed to me by the book art. and how rich this elegance is, you can hear bold and graceful, desolate and bitterness, and various chords ringing.
Release date: Jun 07, 2018 Page view : 77
Comments by Mr. Chen Zhongshi, late vice chairman of the Chinese writers association and author of white deer plain:
Comments by Mr. Chen Zhongshi, late vice chairman of the Chinese writers association and author of white deer plain: In Wang dingcheng's calligraphy art, I read out bold and elegant. Read out the vigor and tactfully; Feel dignified and desolate, also feel the tenderness and innocence; However, it makes me feel more strongly that I can hear the sound of a wisp of silk and bamboo.
Release date: Jun 07, 2018 Page view : 78
Evaluation of Mr. Zhong Mingshan, former vice chairman of the Chinese calligrapher's association and famous calligraphy educator:
Evaluation of Mr. Zhong Mingshan, former vice chairman of the Chinese calligrapher's association and famous calligraphy educator: Wang dingcheng's regular script is based on Wei Bei. he tried his best to integrate Tang kai into his writing style and style. there is no lack of lively and natural interest in his strict and steady style. And the style of his large number of cursive works is even more intriguing. He is good at blending the " two kings" and Wei Bei school's style of writing together naturally and naturally. he has both a strong sense of strength and a quiet elegance. The strokes are sharp, sharp, continuous, and vertical. the strokes are inclined, straight, and dense. they are as relaxed and natural as popular water and ripples of microwaves. He inherited the writing style of Jin and Tang dynasty's running script, and there was no lack of writing style of song dynasty's running script in the changes of bo Qing, but it was not the model writing of any school.
Release date: Jun 07, 2018 Page view : 82
Commentary by contemporary famous writer Mr. Jia pingwa;
Commentary by contemporary famous writer Mr. Jia pingwa; If a tree can grow for hundreds of years, it will become a deity. Great things come from the common, and persist for a long time. The reason why impermanence is an imp is that it is too weird and ferocious. The same is true for writing. it comes from practicality and needs leveling. on the basis of leveling, you can express your understanding of nature and everything with the change of lines. it is accurate and unique. this is calligraphy. It is based on this kind of thinking that I like Wang dingcheng's calligraphy works. they are simple and even, they do not rely on talent, they do not make a determined effort to use strong, and they write in a book style. Honest people will treat his writing honestly one day. for example, his name is: concentration, success.
Release date: Jun 07, 2018 Page view : 77
  1 2